It’s an intense, imaginative piece of work – which treads over familiar ground but modestly ventures a bit further in the climax - and as such is likely to connect with audiences who have supported the Paranormal Activity franchise which copped its found footage angle from The Blair Witch Project in the first place. Wingard and Barrett stick as closely as possible to the structure and look of The Blair Witch Project while throwing in new characters (a bigger expedition into the woods means more victims and more squabbles), some technical advances (lightweight cameras, a drone, GPS) and glimpses of something creepy in the trees which might be the actual Blair Witch. Given that the found footage formula shows no signs of flagging after nearly two decades, the omens suggest healthy returns for Lionsgate and probably regular returns to the Burkittsville Woods The Blair Witch Project – made on a shoestring by tyro filmmakers Eduardo Sanchez and Daniel Myrick – was a breakout horror hit in 1999, but franchise potential was stifled by the underperformance of Joe Berliner’s hasty Book of Shadows: Blair Witch 2 (2000). In concrete terms, there is nothing really graphically scary in The Blair Witch Project, but kids who see it need to be capable of understanding that it's entirely manufactured and fictional.With this commissioned sequel, filmed in secret under the title The Woods, director Adam Wingard and writer Simon Barrett – who have worked together on a run of interesting genre fare ( A Horrible Way to Die, You’re Next, The Guest) – are required to get the Blair Witch back in business.
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It's important for parents to remember that tolerance for scariness is highly individual, and, especially for teens and younger kids, highly suggestible. On another level, there is something cathartic for teenagers about seeing this graphic representation of an uncontrollable id on the loose. On one level, they provide peer bonding - you have to be friends with someone you grabbed in a moment of terror, and it's fun to have that shared experience. Teenagers have always loved scary movies. Like some sort of cinematic Rorschach test, as we watch this movie, we are each scared by whatever lurks in our subconscious. The filmmakers made a virtue of having no budget for special effects and left everything to the audience's grisly imagination. Directors Eduardo Sanchez and Daniel Myrick drew from canny filmmakers such as Val Lewton and Alfred Hitchcock: People are much more scared by what they don't see than by what they do see. This horror film is more conceptual art and marketing phenomenon than movie. Frequent use of "f-k." In one scene, characters act drunk while drinking beer and scotch in a hotel room.
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Some of the imagery, particularly at the end, is especially terrifying. There is a scene in which a bloody shirt, along with what appears to be a severed tongue and teeth, comes into view of one of the cameras, much to the horror of one of the characters filming.
THE BLAIR WITCH PROJECT 2016 RATING MOVIE
Groundbreaking for its time - its use of handheld cameras "found" one year after the disappearance of the filmmakers caused quite a buzz upon its initial release - the movie relies less on the outright blood, gore, and violence of so many horror movies and more on a psychological horror and tension that is slowly ratcheted up with each passing day and night of the characters' descent into the eerie terror that awaits them.
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Parents need to know that The Blair Witch Project is a 1999 "found-footage" horror movie in which three film students attempt to film a documentary about the strange and terrifying murders that have taken place in some woods in rural Maryland.